Shino Konishi, Maria Nugent and Tiffany Shellam (eds), Indigenous Intermediaries: New Perspectives on Exploration Archives (ANU Press, 2015).
Captain Cook Was Here (Melbourne: Cambridge University Press, 2009).
Botany Bay: Where Histories Meet (St Leonards: Allen & Unwin, 2005).
Carter, S. and Nugent, M. (eds), Mistress of Everything: Queen Victoria in Indigenous Worlds, Manchester University Press, 2016.
Shellam, T, Nugent, M, Konishi, S and Cadzow, A, (eds), Brokers and boundaries: Colonial exploration in Indigenous territory, ANU Press, Canberra, 2016.
Konishi, S., Nugent, M., & Shellam, T (eds) Indigenous Intermediaries: New Perspectives on Exploration Archives, ANU Press, Canberra, 2015.
Jointly Authored Books:
Sculthorpe, G, Carty, J, Morphy, H, Nugent, M. et al, The BP Exhibition Indigenous Australia Enduring Civilisation, The British Museum Press, London, 2015.
Byrne, D. and Nugent, M. Mapping Attachment: A Spatial Approach to Aboriginal Post-contact Heritage, NSW Department of Environment and Conservation, Sydney, 2004.
Konishi, S. and Nugent, M, ‘Baz Luhrmann’s Australia’, Special issue of Studies in Australasian Cinema (SAC), 4:3, 2010.
Kennedy, R. and Nugent, M., ‘Scales of Memory’, Australian Humanities Review, no. 60, August 2016.
Nugent, M., ‘The politics of memory and the memory of politics: Australian Aboriginal interpretations of Queen Victoria, 1881-2011’, in S. Carter and M. Nugent (eds), Mistress of Everything: Queen Victoria in Indigenous Worlds, Manchester University Press, 2016.
Shellam, T, Nugent, M, Konishi, S et al, 'Brokering in colonial exploration: Biographies, geographies and histories', in (ed.), Brokers and boundaries : colonial exploration in indigenous territory, ANU Press, Canberra, 2016, pp. 1-14.
Nugent, M. 'Jacky Jacky and the Politics of Aboriginal Testimony', in Konishi, S, Nugent, M. and Shellam, T. (eds), Indigenous intermediaries: new perspectives on exploration archives, ANU Press, Canberra, 2015.
Nugent, M, ''An Echo of That Other Cry': Re-Enacting Captain Cook's First Landing as Conciliation Event', in Kate Darian-Smith and Penelope Edmonds (ed.), Conciliation on Colonial Frontiers: Conflict, Performance and Commemoration in Australia and the Pacific Rim, Routledge, New York and Abingdon, 2015, pp. 193-210.
Nugent, M., 'Encounters in country', in G. Sculthorpe et al, The BP exhibition Indigenous Australia enduring civilisation, The British Museum Press, London, 2015, pp. 120-210.
Konishi, S, Nugent, M, & Shellam, T, 'Exploration Archives and Indigenous History: An Introduction', in S Konishi, M Nugent and T Shellam (ed.), Indigenous intermediaries: new perspectives on exploration archives, ANU Press, Canberra, 2015.
Konishi, S & Nugent, M, 'Newcomers, c. 1600-1800', in Alison Bashford and Stuart Macintyre (ed.), The Cambridge History of Australia, Cambridge University Press, 2013, pp. 43-67.
Nugent, M., ‘An economy of shells: A brief history of La Perouse Aboriginal women’s shellwork and its markets 1880-2010’, in N. Fijn et al (eds), Indigenous Participation in Australian Economies II, ANU E Press, Canberra, 2012.
Select Refereed Journal Articles:
Nugent, M, 'Shellwork on show: Colonial history, Australian Aboriginal women and the display of decorative objects', Journal of Material Culture, vol. 19, no. 1, 2014, pp. 75-92.
Konishi, S, Shellam, T & Nugent, M, 'Aboriginal Australians and Boundary Crossings', Melbourne Historical Journal, vol. 42, 2014, pp. 37-81.
Nugent, M, 'Tracing lineages: The work of remembering, mourning and honouring in Romaine Moreton's The Farm', Studies in Australasian Cinema, vol. 7, no. 2, 2013, pp. 179-188.
Nugent, M., ‘Sites of segregation/sites of memory: Remembrance and ‘race’ in Australia’, Memory Studies, 6:3, July 2013, (special issue: ‘Memory Studies in Australia’, edited by Susannah Radstone and Rosanne Kennedy), pp. 299-309.
Nugent, M. ‘Displaying the decorative: An exhibition history of Aboriginal women’s shellwork’, reCollections: A Journal of Museums and Collections, 7:2, October 2012.
Nugent, M. ‘“The queen gave us the land”: Aboriginal people, Queen Victoria and historical remembrance’, History Australia, 9:2, 2012, pp. 182-200.
Nugent, M., ‘“Every right to be there”: Cinema spaces and racial politics in Baz Luhrmann’s Australia’, Australian Humanities Review, issue 51, November 2011, pp. 5-23.
Nugent, M., ‘“You really only made it because you needed the money”: Aboriginal women and shellwork production, 1870s to 1970s”, Labour History, vol. 101, November 2011, pp. 71-89.
‘Aboriginal people and their children, 1913’, Glorious Days: Australia 1913, Michelle Hetherington (ed.), (Canberra: NMA Press, 2013)
‘Emma Timbery: Shellworker’, Dictionary of Australian Artists Online (http://www.daao.org.au/)
‘Oral traditions’, Companion to Women’s Historical Writing, Mary Spongberg, Barbara Caine and Ann Curthoys (eds), (London: Palgrave, 2005) (reissued in paperback 2009)
‘Timbery, Emma (c. 1842-1916)’, Australian Dictionary of Biography, Supplementary Volume, (Melbourne: Melbourne University Press, 2005)
‘La Perouse’, Oxford Companion to Aboriginal Art and Culture, Sylvia Kleinert and Margo Neale (eds), (Melbourne: Oxford University Press, 2000)